![]() The West of today speaks about political thought as though it were merely a trend in music or fashion that must be deemed fresh or stale. Is the beloved Westian stream-of-consciousness-which, in his recent Tweet storms, has yielded platitudes that are eerily similar to those spouted by too-powerful tech executives and cult leaders-just an unmedicated, out-of-touch outburst? In denying racial oppression and aligning himself with Donald Trump-a fellow-firebrand whose highest currencies are notoriety and unpredictability-West has tested the limits of his shock-jock tactics. (Recall the innumerable clunky and vulgar lines about women’s body parts.) In the past year, though, the tenor of West’s antics has forced a retroactive reckoning with the freewheeling tendencies we once championed. (“George Bush doesn’t care about black people.”) At its worst, it has been an ignorable side effect of ingenious art. At its best, it has been a source of profound power in his career. This insatiable thirst for provocation is, of course, nothing new for Kanye. (“I could have Naomi Campbell, and still might want me a Stormy Daniels,” he raps on “All Mine.”) If there is any insight to be drawn from this album, it is that West remains immune to the the taming forces of family, industry, or the public eye. And he alludes, with a flip aside, to the day last month when he told a reporter on “TMZ Live” that four hundred years of slavery “sounds like a choice”: “Just imagine if they caught me on a wild day.” At the listening party he held in Wyoming on Thursday night, West’s wife, Kim Kardashian-who, just one day prior, had met with President Trump to discuss prison reform-stood by him listening to line after boorish line about his sexual escapades with her and with other women. West, who has jarred audiences this year with a dizzying torrent of tweets and declarations of allegiance with right-wing provocateurs, has managed to incite even more disquiet on this seven-song record, which lasts just twenty-four minutes and bears a handwritten scrawl on its cover: “I hate being Bi-Polar its awesome.” He opens with a spoken-word tone poem about murdering a loved one, and a clichéd disclaimer: “The most beautiful thoughts are always beside the darkest.” Later, he likens bipolar disorder to a “superpower” he imagines the future objectification of his four-year-old daughter’s body he raps about taking super-strength psychedelic drugs. Secure by Default - Your data is encrypted, isolated and not even visible to us.The many disoriented Kanye West fans searching for clarity in his music are unlikely to find answers in “Ye,” the slapdash new album he released at midnight on Friday.Visualize & Save - Save searches to track work-streams, build inboxes or whatever you imagine.Powerful Filters - Turn your cloud apps into a database you can slice, dice & visualize.Shockingly Fast - The Command Bar, with our low-latency search is the fastest way to find anything.Do everything Spotlight can: math, unit conversions, launch apps, open preference panels and more. Search your clipboard history, create snippets to paste into any application all without missing a beat, or touching the mouse. For apps like Notion, we'll even open the documents in the desktop app. There is no faster way to open a document, or start writing a new one. Doing the same thing often? Create command templates to skip the tedious data entry. ![]() File issues and tasks as soon as the thought strikes. ![]() Your Zoom meetings will open directly in desktop app. It's the fastest way to launch your next meeting or peek at your calendar. Slapdash brings all your apps together in one place to give you new superpowers.
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